Teenage Engineering OP-Z Synthesizer and Sequencer, Black

Product Information

However, if you memorise the colour-coding and shortcuts, you can wean yourself off the screen if you prefer.

When you first open it you worry it will be difficult to learn how to use this because of it being so menu-driven but the quick-start guide and overlays are so intuitive that you learn the interface within 20 minutes. The velocity and timing of each note can be adjusted, and each track has a menu for adjusting note length, live recording quantisation and portamento. As mentioned, the OP-Z’s interface can be cryptic, and while it all makes logical sense once you know your way around, there’s a lot of multi-button presses involved in making most edits. As there, we get 16 push buttons - running across the length of the hardware - used to sequence hits or notes. more sound engines will be released continuously and made available through the configurator in the OP–Z app.holding [track] lets you control default note length, playmode, quantization and glide for the active track. At TE, the sound engineering and software team is probably doing a good job but hardware is abysmal. from our series of pocket operators, where you can add a layer of live performance effects, and either record them or just to enjoy in real-time.

thanks to the extremely energy efficient ble technology your OP–Z will run and sync to your screen for hours and hours, without you having to charge the unit. Some additional expression can be added with the rubber pad on the front edge of the unit: it's a bi-directional, pressure–sensitive input that acts as a pitch–bend controller. I thought working without a screen would be more difficult but It's very easy to navigate parameters once you learn what colour means what. we hope it will inspire your creativity for many years, and become a trusted companion for both audio and visual expression.

press and hold [track] together with [stop] for a second if your want to clear the current track and record again. This device can serve as the "brain" for you set, as it is really easy to sequence other instrument with it. if you need to connect/disconnect wires during use, always make sure to connect the cable to the OP-Z first.

There’s also a two-octave button keyboard, which can be used for live recording melodies and patterns. we're also happy to introduce a new line of fresh color-coded cables in various lengths and configurations.Its sleek, minimal form is adorned with buttons and rotaries labelled with often rather cryptic icons. note: this equipment has been tested and found to comply with the limits for a class b digital device, pursuant to part 15 of the fcc rules.

The sound quality of the synths, samples and effects are so good that at times it feels slightly unreal that the source is this tiny box. l’émetteur exempt de licence contenu dans le présent appareil est conforme aux cnr d’Innovation, sciences et développement économique canada applicables aux appareils radio exempts de licence. They can use any of the supplied DSP synth engines, or operate as chromatic sample players, but each track has slightly different properties. cet émetteur ne doit pas être situé ou fonctionner conjointement avec une autre antenne ou un autre émetteur. use your OP-Z where the ambient temperature is between 10° and 35° C (50° and 95° F) and the relative humidity is between 0 and 95%RH.

performance mode works like punch-in effects except you don't have to hold shift and all tracks are affected. Control changes can be recorded in real time, or sequenced per-step using the 'Swedish method' of holding a step while dialling in a parameter setting. Each track has a resonant filter that flips from low- to high-pass either side of the 12 o'clock position.